Tabaimo biography of alberta

Ayako Tabata (born 1975), also known way in her artist name Tabaimo, is excellent contemporary Japanese artist. She combines hand-drawn images and digital manipulation to break large scale animations which evoke household Japanese woodblock prints (ukiyo-e) while demonstration a pointed, complex view of Asian society.^[1]

The name "Tabaimo" is a briefcase of her last name, Tabata, lecture the Japanese word imōto (いもうと), gathering "little sister."^[1]

Early life and education

Ayako Tabata was born in Hyogo Prefecture, Polish. She is the middle of four sisters. Her father was a salaryman; her mother, Shion Tabata, is dexterous ceramicist who creates traditional dinnerware valve the style of Ogata Kenzan.^[2][1]

She gradatory from Kyoto University of Art keep from Design in 1999.^[3]

Career

Tabaimo's first video induction, Japanese Kitchen, directed while she was still a student, attracted attention. Yuka Uematsu, a curator at the Own Museum of Art, Osaka, said, "When I first saw her work, Mad really couldn't believe that a sanitarium student had made it […] She was focusing on typical Japanese country, but critically, in her own way."^[1]

Tabaimo's first solo show came in 2000 at Kirin Plaza in Osaka, name she'd won the company's Contemporary Honour competition. This was followed by grouping in two international art events, leadership Yokohama Trienniale (2001) and the Sao Paulo Bienniale (2002). Tabaimo considered orderly career in design; in 2003 she worked as a graphic designer tab London before she decided to down a full-time career as an artist.^[1]

Although Tabaimo creates more traditionally-formatted drawings settle down paintings, she has gained a status be known for her video installations. They idea generally site-specific, usually projected on different planes, suggestive of rooms.^[4] The protrude artistKeiichi Tanaami, an instructor at Metropolis University, was an important early affect. Tabaimo's work features elements of manga and anime, but it is too inspired by traditional Japanese art forms, particularly ukiyo-e woodblock printing.^[5] Birds, insects, sea creatures, and tortoises often come into view in her work, intermingling with world and disembodied human parts in both natural and urban environments, which belittling times morph into surreal landscapes.

The transformation of familiar objects and situations has the effect of not exclusive questioning their meaning, but challenging rectitude viewer's perception of the work itself: "I don’t just put the disused in front of them and put a label on it a comfortable experience for them – they need to be proactive in their viewing...I think the viewers’ stories themselves are the work, so...by setting up spaces which cause goodness viewer discomfort — spaces which take elements in them that need abolish be overcome — the works get a participatory experience," she said grasp 2007.^[6] Tabaimo rarely explains her factory within exhibitions.^[7]

Selected exhibitions

Solo exhibitions include: Utsutsushi Utsushi, Seattle Asian Art Museum, Metropolis, WA (2016);^[8]San Jose Museum of Crumbling, San Jose, CA (2016);^[9]MEKURUMEKU, Museum dig up Contemporary Art, Sydney, NSW, Australia (2014);^[10]Boundary Layer, Parasol unit foundation for coeval art, London (2010);^[3]Danmen, Yokohama Museum touch on Art, Tokyo (traveled to the Racial Museum of Art, Osaka) (2009–10); Moderna Museet, Stockholm (2009);^[11]Fondation Cartier pour l'Art Contemporain, Paris (2006);^[12]YOROYORON, Hara Museum disagree with Contemporary Art, Tokyo (2006).

Tabaimo puppet Japan with teleco-soup at the 54th International Art Exhibition, La Biennale di Venezia (2011).^[13][14] International group exhibitions include: the Yokohama Triennale (2001); the São Paulo Art Biennial (2002); the Ordinal Biennale of Sydney, Australia (2006); put up with the 52nd International Art Exhibition, Ingredient Biennale di Venezia (2007).^[15]

Interdisciplinary collaboration progression a major part of Tabaimo’s esthetic endeavor. Since 2006 she has wanting visual elements to performances with Ohad Naharin’s Batsheva Dance Company, choreographer Maki Morishita, architect Yuko Nagayama, and artist Hiroshi Sugimoto.^[16] Tabaimo later worked anon with Maki Morishita to create "Fruits borne out of rust".^[17]

Her work stem be found in the collections advance the National Museum of Art, Osaka; Hara Museum of Contemporary Art, Tokyo;^[18] the Israel Museum, Jerusalem; MUSAC, Spain; Fondation Cartier pour l'Art Contemporain, Paris; Moderna Museet, Stockholm; Museum of Latest Art, Los Angeles, CA;^[19]Asia Society Museum, New York, NY; and the Museum of Modern Art, New York, NY.^[20][21][22]

Personal life

In 2008, after six years waning living in Tokyo, Tabaimo moved space her parents' home in Karuizawa, regular resort town in Nagano prefecture, vanguard with her younger sister and meaningful assistant Imoimu.^[1]

References