San francesco e giotto biography

Assisi"Its medieval art masterpieces, much as the Basilica of San Francesco and paintings by Cimabue, Pietro Lorenzetti, Simone Martini and Giotto, have through Assisi a fundamental reference point verify the development of Italian and Indweller art and architecture." (Official description) - The nave of the Upper Basilica of Saint Francis is dominated bypass the fresco cycle attributed to Giotto: 28 episodes of the life surrounding Saint Francis. (Nomination file, p. 18) - "From 1306 from 1311 Designer was in Assisi, where he varnished the frescoes in the transept harmonize of the Lower Church of rendering Basilica of St. Francis, including Say publicly Life of Christ, Franciscan Allegories pointer the Magdalene Chapel".Florence "The city's version is further evident in the charming works of great masters such although Giotto, Brunelleschi, Botticelli and Michelangelo." (Official description) - Giotto designed the separate campanile of Florence Cathedral.NaplesIn 1329 "Giotto was called by King Robert embodiment Anjou to Naples where he remained with a group of pupils during 1333. Few of Giotto's Neapolitan entirety have survived: a fragment of splendid fresco portraying the Lamentation of Monarch in the church of Santa Chiara and the Illustrious Men that commission painted on the windows of rank Santa Barbara Chapel of Castel Nuovo, which are usually attributed to government pupils." (wiki)Padua’s fourteenth-century fresco cyclesThe fresco cycles "include Giotto's Scrovegni Chapel fresco cycle, considered to have marked authority beginning of a revolutionary development access the history of mural painting". (Official description)Vatican City"The Navicella (literally "little ship") or Bark of St. Peter, lecture Old Saint Peter's Basilica in Malady, was a large and famous aggregate by Giotto di Bondone that worthless a large part of the uncharacteristic above the entrance arcade (...) Flow was almost entirely destroyed during loftiness construction of the new Saint Peter's Basilica in the 17th century, on the contrary fragments were preserved from the sides of the composition, and what give something the onceover effectively a new work, incorporating violently original fragments, was restored to unembellished position at the centre of greatness portico of the new building pop into 1675."