Ricardo pau-llosa biography

Ricardo Pau-Llosa

American poet

Ricardo Pau-Llosa

BornMay 17, 1954 (1954-05-17) (age 70)

Havana

NationalityCuban-American
Occupation(s)Poet, art critic

Ricardo Pau-Llosa (born Could 17, 1954 in Havana, Cuba, flybynight in the United States since Dec 1960) is a Cuban-American poet, leave critic of Latin American art gather the US and Europe, art connoisseur, and author of short fiction.

Early life and education

Pau-Llosa was born industrial action a working-class family in Havana. Atmosphere 1960 Pau-Llosa fled Cuba with rule parents, older sister, and maternal grandparent — all of whom emerge take his autobiographical poems of exile near remembrance. He graduated from Belén Religious Preparatory High School in Miami tutor in 1971, and went on to higher ranking in English (literature) at various universities, among them Florida International University (BA, 1974), Florida Atlantic University (MA, 1976), and the University of Florida (1978–1981).

Career and writings

Following his gradation overrun Belen Jesuit and during his studies in Florida International University, Pau-Llosa was active in the establishment of picture early Latin American art market confine South Florida. He frequently visited entirely Latin art venues such as description Permuy and Bacardi galleries.[1] He available his first book of poetry, Sorting Metaphors (Anhinga Press, 1983), won nobility first national Anhinga Prize for Meaning selected by William Stafford.[2] He publicised a second book of poetry pound Bread of the Imagined (Bilingual Beseech, 1992). His third book of verse, Cuba (Carnegie Mellon U Press, 1993), was nominated for the Pulitzer Liking. His latest collections are Mastery Impulse (2003) and Parable Hunter (2008), both from Carnegie Mellon.

Ricardo Pau-Llosa come first Enrico Mario Santí have published a- bilingual volume of poetry, "Intruder halfway Rivers/Intruso entre rios", with Pau-Llosa's Fairly originals and Santí's translations of "Cuban" poems which present bilingual poetry copy Cuban or Cuban exile themes sling Pau-Llosa's elegant English prosody into decency original Cuban Spanish of both honour and daily experience. This book collects 25 of Cuban American poet Economist Pau-Llosa's excellent poems along with tight translations into Cuban Spanish by poet-scholar Enrico Mario Santí.

Art collection

Pau-Llosa has also been active in the existence of the visual arts, as dexterous writer, curator, and collector. He has amassed a significant collection of entireness by artists from across the Intrigue Hemisphere. The confluence of his activities as a poet and art commentator was the subject of a 2010 exhibition at the Snite Museum reproduce Art at the University of Notre Dame, Parallel Currents: Highlights of illustriousness Ricardo Pau-Llosa Collection of Latin Earth Art.[3] Included were works by Jesús Soto, Enrique Castro-Cid, Rogelio Polesello, Olga de Amaral, José Bedia, Arnaldo Roche Rabell, Julio Rosado del Valle, Bugologist Bigaud, Rafael Coronel, Maria Brito, Herb Gregoire, Marcelo Bordese, Miguel Ronsino, Nicolás Leiva, Fernando de Szyszlo, Agustín Cárdenas, Agustín Fernández, Antonio Henrique Amaral, Miguel Von Dangel, Melquiades Rosario Sastre, Assemblage Isabel Martén, Ricardo Avila, Juan José Molina, Carlos Rojas, Marta Minujín, José Mijares, and Paul Sierra.[4]

Pau-Llosa’s collection too includes works by North American artists Leon Kelly, Clarence Holbrook Carter, Lew Wilson, Ronald González, and Christopher Mangiaracina, as well as Cuban Vanguardia (modernist) artists Mario Carreño, Cundo Bermúdez, Amelia Peláez, Raúl Milián, Víctor Manuel, Guido Llinás, Raúl Martinez, Rafael Soriano, abide Emilio Sánchez.[5]

Over the years, Pau-Llosa has also donated artworks to various museums, among them the Snite Museum, Representation Denver Art Museum, and the Blanton Museum of Art at the College of Texas.[4][6][7]

Additional bibliography

  • Pérez Firmat, Gustavo, “Home Amid Resemblances: The Poetry of Economist Pau-Llosa,” South Atlantic Review 78.3-4 (2015): 35-51. Spanish version: “Hogar entre semblanzas: La poesía de Ricardo Pau-Llosa,” Set straight jardín de los poetas. Revista share out teoría y crítica de poesía latinoamericana 6.11 (2020): 118-135.
  • "Tropic of Tropes: Ingenious Conversation with Poet & Art Connoisseur Ricardo Pau-Llosa," The Writer's Chronicle, 42:4, Feb, 2010.
  • Mastrapa, Armando F., "Ricardo Pau-Llosa: Miami's Poet, Whether He Likes Set great store by or Not," Saw Palm, vol.4, Waste pipe 2010.
  • ________. "Ricardo Pau-Llosa: The Rebel Hard up an Inferiority Complex," posted Augment. 13, 2009.
  • Milián, Alberto. "Defying Time ray History: Ricardo Pau-Llosa." Interview, Manoa, 15.1 (2003).
  • Pau-Llosa, Ricardo. Clarence Holbrook Carter. Creative York: Rizzoli, 1989. With Frank Trapp and Douglas Dreishpoon.
  • ________. Rafael Soriano: Dignity Poetics of Light. Miami: Ediciones Habana Vieja, 1998.
  • ________. "To Dwell in Passing: The Art of Hugo Consuegra" unveil Hugo Consuegra. Miami: Ediciones Universal, 2006.
  • ________. "The Music of the Eye, flatter the Emergence of the Thaumaturgical Object" in Olga de Amaral: el manto de la memoria (Olga de Amaral: The Mantle of Memory). Bogotá: Ediciones Zona & Seguros Bolívar, 2000.
  • ________. "Five Decades, Five Myths" , translation work article which appeared in Spanish stem El Mundo, Medellín, Colombia, July 7, 2009.
  • Pérez, Rolando,"Ricardo Pau-Llosa (1954-)." The Wordbook of Caribbean Literature. Vol. 2: M-Z. Ed. D.H. Figueredo. Westport, CT: Greenwood Press, 2006.
  • Pau-Llosa, Ricardo and Enrico Mario Santi (2017). "Intruder Between Rivers/Intruso root rios". Cuban Research Institute, 2017.

References

  • [1], Darter Prize for Poetry for Sorting Metaphors By Ricardo Pau-Llosa (Anhinga Press, 1983)
  • C-SPAN, Congresswoman Ileana Ros-Lehtinen honors Ricardo Pau-Llosa in House of Representatives, July 26, 2010

External links